Hi Spinning Gold Illustrators,
We would like to offer you the opportunity to sell some of your work at the conference.
By having your work on display (for sale) as well as your tearsheets, it offers you an amazing opportunity to make an impact and show off your style.
We will provide the wall display space, you choose up to six pieces of easily transportable work and the price tag and your contact information.
We will take no commission...It’s an opportunity that may pay your conference fee...
Contact us at spinning.gold09@gmail.com if you want us to reserve some display space for you.
Spinning Gold Team
Home page- click below
Pitch Slam
This is your chance to talk to a captive editor or agent. You will have 3 minutes to pitch your fabulous idea/finished book/partly finished book.
Cost: $10 to participate, pay at the conference. (Note: this fee gives you the chance to make several pitches to different editors/agents).
Bookings:
You confirm your booking when you pay at the conference (on a first come, first served basis.) The sessions will run in a similar way to how meet the teachers sessions are run. Each editor/agent will be in individual rooms so it will just be you and that person for 3 minutes. A bell will ring at the end of the time. Please leave on the bell.
Participating Publishers:
Random House
Longacre Press
Scholastic
HarperCollins
Penguin
Mallinson Rendel
Huia
Agents:
Frances Plumpton from Richards Literary Agency, Auckland
Fiona Inglis from Curtis Brown Agency Australia
What to Expect:
The editor/agent will probably not give you any feedback, they may simply say thank you, and that they have your card if they wish to contact you. This is your chance to sell your book, to grab their interest and make them want to know more in which case they will get in touch with you using the details on your card.
What to Bring:
Your business card. That’s all. Nothing else except yourself and your well-polished, practised pitch.
Preparation:
Before the conference check out each publisher’s website to see if they publish the type of book you are pitching. We may have to limit the number of times people can pitch, depending on how many people sign up.
Make sure you have business cards, and bring enough with you.
Practise what you want to say. Cut to the chase and get straight to the point. Sit the family down and make them play the role of editor/agent. Your pitch is going to have a much greater chance of impressing if you have worked it out and practised it beforehand. Time yourself so that you ensure you are able to make the pitch within the timeframe.
Suggested Format:
One concise sentence saying what your book is about.
Say who the intended audience is.
A short synopsis of the plot.
A brief description of the main character.
Say what is special or different about your book.
Say why your book would be a good proposition for them.
Prepare any questions you want to ask.
Ask if there is anything they would like to ask you.
Thank them, and leave when the bell rings.
Cost: $10 to participate, pay at the conference. (Note: this fee gives you the chance to make several pitches to different editors/agents).
Bookings:
You confirm your booking when you pay at the conference (on a first come, first served basis.) The sessions will run in a similar way to how meet the teachers sessions are run. Each editor/agent will be in individual rooms so it will just be you and that person for 3 minutes. A bell will ring at the end of the time. Please leave on the bell.
Participating Publishers:
Random House
Longacre Press
Scholastic
HarperCollins
Penguin
Mallinson Rendel
Huia
Agents:
Frances Plumpton from Richards Literary Agency, Auckland
Fiona Inglis from Curtis Brown Agency Australia
What to Expect:
The editor/agent will probably not give you any feedback, they may simply say thank you, and that they have your card if they wish to contact you. This is your chance to sell your book, to grab their interest and make them want to know more in which case they will get in touch with you using the details on your card.
What to Bring:
Your business card. That’s all. Nothing else except yourself and your well-polished, practised pitch.
Preparation:
Before the conference check out each publisher’s website to see if they publish the type of book you are pitching. We may have to limit the number of times people can pitch, depending on how many people sign up.
Make sure you have business cards, and bring enough with you.
Practise what you want to say. Cut to the chase and get straight to the point. Sit the family down and make them play the role of editor/agent. Your pitch is going to have a much greater chance of impressing if you have worked it out and practised it beforehand. Time yourself so that you ensure you are able to make the pitch within the timeframe.
Suggested Format:
One concise sentence saying what your book is about.
Say who the intended audience is.
A short synopsis of the plot.
A brief description of the main character.
Say what is special or different about your book.
Say why your book would be a good proposition for them.
Prepare any questions you want to ask.
Ask if there is anything they would like to ask you.
Thank them, and leave when the bell rings.
Some Illustrators attending Spinning Gold
Philip Webb
Nikki Slade Robinson
Thaw Naing
Ruth Paul
If you're an illustrator attending the conference, we'd love to put up a link to your website or blog. Please send it to us at spinning.gold09 at gmail dot com.
Nikki Slade Robinson
Thaw Naing
Ruth Paul
If you're an illustrator attending the conference, we'd love to put up a link to your website or blog. Please send it to us at spinning.gold09 at gmail dot com.
Emile Zola
The artist is nothing without the gift, but the gift is nothing without work.
Blog Archive
About Me
- Spinning Gold
- National Conference of Children's Book Writing and Illustration in New Zealand. Wellington, September 18th, 19th, 20th 2009
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